So many voices overs. Join here. She soon finds a suitor in gentle Pin-Pon (Alain Souchon), the local mechanic, and they marry shortly after. I cannot think of another film where the leading lady looks so sensational from every angle and throughout an entire movie as Adjani…. Watched Mar 30, 2020. There is a sweltering heat, shimmering sweat, at the very opening of L’été meurtrier (One Deadly Summer), when Elle steps into the frame. This is one of those films. But more than a feast for the eyes, Jean Becker’s psychological drama is occasionally surprising and always intriguing, and offers one of the more shocking endings in film history that comes about through a clever arrangement of plotting that calls to mind an unavoidable train wreck. Newcomer to the village, Eilane, (Isabelle Adjani), is certainly a stunner and soon she's driving all the boys wild but it's mechanic and fireman 'Pin-Pon', (Alain Souchon), who woos her and wins her even though on their first date he sees a side to her that would have most men fleeing to the hills. she's good, but I like her more in other movies. Odd, uneven, likeable, very French; like Betty Blue, this dips from romance into melodrama and explores similar themes, albeit with a bit less depth. An absolutely outstanding film. One Deadly Summer is must see for fans of French cinema and the thriller genre and this release from CultFilms serves as a great introduction to the work of Jean Becker. One Deadly Summer book. This review may contain spoilers. And Isabelle Adjani is decidedly easy on the eyes. Is this love or some kind of plot? There's a number of…, Jayce Fryman 18,680 films 3,584 116 Edit, This list collects every film from the Starting List that became They Shoot Pictures Don't They's 1000 Greatest Films. here queen you dropped this , A mystery thriller set in a lovely sun baked provincial town in Southern France; but there’s little Pagnolian warmth in the tone, more like the bitterness and edge of a Clouzot or a Chabrol film. First, there is the nostalgia triggered by its depiction of life in a small rural community in France, where excitement was brought by a travelling roadshow that would allow the local youth to go and dance and have some drinks and make out on Friday nights. Adjani plays a flighty young French girl who seduces her way into the heart of a young French mechanic/firefighter, but whether she’s really in love with the guy or if she has some ulterior motive for getting close to him becomes a source of many interesting complexities, misunderstandings,…. She's terrific as usual but then so is…. 18. wanted to like this more, but to me this shares DNA with Betty Blue, a movie I love. For added drama, there’s police chief Luke Montgomery, inconveniently Summer’s first and only love. Mobile site. You’d have to take some serious hallucinogenics to see a more beautiful sight than a young Isabelle Adjani frolicking (usually half-naked) around an idyllic French countryside. Both are wildly over-long, and charmingly but bewilderingly discursive. I can handle the truth. She singles out Pin-Pon and soon is crying on his shoulder (she's myopic and hates her reputation as a dunce and as easy); she moves in with him, knits baby clothes, and plans their wedding. Incredible! Directed by Jean Becker. the screenplay for the film was written by sébastien japrisot, who manages to skillfully adapt his novel, expertly weaving this tale of the past coming back to haunt you. Isabelle Adjani is ridiculously charismatic - sometimes hammy, sometimes utterly convincing. ‘L'été meurtrier’ He tells us how he uses the platform, why every film that exists is miraculous, and why … It’s an LGBTQ+ world and these are my other LGBTQ+ lists on Letterboxd: ➡️Minor Interest Films: In the Closet: A…, To comfort the disturbed and to disturb the comfortable weirdo / shocking / random / weirdos / psychedelectable, Fight Professor 1,052 films 3,500 19 Edit, The film noir genre generally refers to mystery and crime dramas produced from the early 1940s to the late 1950s.…, 1) Films missing are mainly hardcore porn and TV shows (Hitchcock mysteries namely). Mark Garrett 1,516 films 1,536 22 Edit, all credit to Tim Dirk's filmsite.org @ www.filmsite.org/sexinfilms0.html, Missing titles from Lbxd: a l'ecu d'or ou la…, some films are not on tmdb, some may have been mismatched or simply not found when importing into…, UNDER CONSTRUCTION This is a lot of work - and will take a lot of time - because I need…, mubi.com/lists/hysterical-in-a-floral-dress. I want to live in rural France, even though these films always make it look bloody awful. Add a review? In 1920s Berlin, Dr. Jakob Fabian, who works by day in advertising for a cigarette company and by night wanders the streets of the city, falls in love with an actress. Watched by sudpralad. If you are not too distracted by Isabelle Adjani to pay attention, you may appreciate the complex plot involving revenge and tragic ending, yet somehow it's a bit too clumsy to be a serious thriller. Incredible final shot too. Tonally bizarre but strangely engrossing. The cast is superb. one deadly summer starts out as an amiable french comedy before going down a strange and unexpected path. It's an otherwise clumsily told story, painfully slow in unfolding, but, WOW, Isabelle Adjani is absolutely stunning. What starts out as a slightly awkward sex comedy slowly plunges into some complex and disturbing places, totally distancing itself from the lightness of it's opening act. Second, there is the plot which presents a dramatic and totally unexpected turn of events in its final act which took me completely by surprise, but is essential for the tragedy that follows to play out. one deadly summer starts out as an amiable french comedy before going down a strange and unexpected path. Adjani plays a flighty young French girl who seduces her way into the heart of a young French mechanic/firefighter, but whether she’s really in love with the guy or if she has some ulterior motive for getting close to him becomes a source of many interesting complexities, misunderstandings,…. One Deadly Summer (French: L'Été meurtrier) is a 1983 French drama film directed by Jean Becker, and adapted by Sébastien Japrisot from his 1977 novel. Much of what makes Isabelle Adjani smoking hot here, is what turns into an ever-evolving, multi-layered masterful display of acting. Another Adjani tour de force. Isabelle Adjani is ridiculously charismatic - sometimes hammy, sometimes utterly convincing. AKA: L'été meurtrier. sudpralad is using Letterboxd to share film reviews and lists with friends. Directed by Jean Becker. Isabelle Adjani plays Elle, a provocative 19-year-old whose move, with her mother and sick father, to a sleepy Provence village sets the locals afire with lust and gossip. This…. A French drama about Elle Wieck (Isabelle Adjani) moving to a small French village and going after and dating Pin-Pon (Alain Souchon), is it just love or something else? This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. There is also some interesting stuff with switching narrative points of view that made me suspect Scorcese had seen this movie and was inspired to do something similar in Goodfellas though that doesn't take it to this level. I knew little about this once lauded movie directed by Jacques Becker’s son Jean and for the first 30 odd minutes I’ll admit to being puzzled as to why a 28-year-old Isabelle Adjani, who by 1983 had garnered an Oscar nomination (The Story of Adele H.) and both Cannes and César wins (Possession and Quartet) would star as a sort of typical femme fatale in a nice looking but seemingly run of the mill psycho-sexual genre thriller. Get involved with this. Everyone notices the provocative Eliane. First, there is the nostalgia triggered by its depiction of life in a small rural community in France, where excitement was brought by a travelling roadshow that would allow the local youth to go and dance and have some drinks and make out on Friday nights. It’s an LGBTQ+ world and these are my other LGBTQ+ lists on Letterboxd: ➡️Minor Interest Films: In the Closet: A…, To comfort the disturbed and to disturb the comfortable weirdo / shocking / random / weirdos / psychedelectable, Fight Professor 1,052 films 3,496 19 Edit, The film noir genre generally refers to mystery and crime dramas produced from the early 1940s to the late 1950s.…, 1) Films missing are mainly hardcore porn and TV shows (Hitchcock mysteries namely). A curiously uneven movie. Some great plotting in amongst the dawdling pace. Brazilian writer-director Iuli Gerbase constructs characters that are damned to have to settle when it comes to human connection. TMDb Read 38 reviews from the world's largest community for readers. If you are not too distracted by Isabelle Adjani to pay attention, you may appreciate the complex plot involving revenge and tragic ending, yet somehow it's a bit too clumsy to be a serious thriller. Andrew Magee’s review published on Letterboxd: 1980s French cinema and Isabelle Adjani. Its mix of romantic comedy, film noir and spaghetti western is a curious experiment, if not an entirely successful one. Incredible final shot too. Absolutely enchanting she is. In spring 1976, a 19-year-old beauty, her German-born mother, and her crippled father move to the town of a firefighter nicknamed Pin-Pon. As a well-told and believable background of unending family trauma begins to unravel, Becker presents scenes from different perspectives, using voiceover & subtle changes in tone to tell each character's part in the tragedy with searingly traumatizing clarity. 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